Zora: A Comeback That Should Have Remained Unmade
Veteran director Rajiv Rai’s return to the silver screen after a long hiatus was met with a mix of anticipation and nostalgia. Fans were hopeful that his signature style would bring back the magic of his previous hits. Unfortunately, his latest offering, Zora, is a stunning disappointment, feeling less like a triumphant comeback and more like a significant misstep.
Veteran director Rajiv Rai’s return to the silver screen after a long hiatus was met with a mix of anticipation and nostalgia. Fans were hopeful that his signature style would bring back the magic of his previous hits. Unfortunately, his latest offering, Zora, is a stunning disappointment, feeling less like a triumphant comeback and more like a significant misstep.
The film’s plot, as presented, holds a certain promise: a dedicated police officer is framed and murdered by a mysterious woman named Zora, leaving his teenage son to witness the brutal crime. Years later, the son, now a grown man, embarks on a relentless quest for vengeance. This classic revenge tale, however, quickly unravels into a flimsy and uninspired narrative. The story is riddled with plot holes and predictable twists, failing to build any meaningful tension or emotional investment.
The film’s greatest weakness, aside from its lackluster script, lies in its performances. The lead actors—Karanveer Khullar, Sofia Parveen, and Ravinder Kuhar—deliver what can only be described as a disjointed and unconvincing effort. Their portrayal of the characters feels lost and directionless, leaving the audience completely disconnected from their motivations and struggles. It’s as if the actors themselves were unsure of their roles, resulting in wooden dialogue delivery and a general lack of on-screen chemistry.

Further compounding the film’s problems is its production value. With a reported budget of just 2 crore, Zora often looks and feels like a low-budget project, a fact that is painfully evident in its execution. The limited resources are visible in every frame, from the uninspired cinematography to the unconvincing action sequences. It’s hard to imagine how this film will manage to recover its budget, let alone turn a profit, as it simply lacks the polish and appeal to draw a crowd.
In the end, Zora is a difficult film to sit through. It’s a tedious and frustrating experience that leaves you questioning why such a project was greenlit in the first place. My advice to cinephiles is simple: don’t waste your money on this film. There are far better ways to spend your time and your hard-earned cash.
Ratings
Filmikaar Bhai : 3/10
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